Have A Nice Life’s Deathconsciousness

Have A Nice Life's Deathconsciousness

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Jamie Goodin,, Music Columnist

 

It’s rare to find an album that conveys sadness, depression, and abandonment in an entirely genuine way. Often, artists are over-dramatic, and sometimes fabricate details to make their music more interesting or “real.” While there’s nothing fundamentally wrong with introducing fiction into your music, it doesn’t quite have the same oomph that a real story can have. Untrue stories can evoke powerful emotions in the listener, but there’s a sense of safety in knowing that you can step out of that world at any time and return to a place where none of it ever happened. You don’t get that with nonfiction. You’re forced to confront the reality of the story. In 2008, Dan Barrett and Tim Macuga’s band, Have A Nice Life, released an album entitled Deathconsciousness that challenges any listener with an onslaught of emotion.

This album covers so many different styles of music to the point where I feel I would be doing it an injustice by classifying it with a single genre, so I won’t try to do so. But, if I were forced to describe it, I would have to say that it is tremendously potent art with the power to break your heart. Throughout the 85-minute journey that is Deathconsciousness, Barrett and Macuga belt out their innermost thoughts and feelings, and you’ve no other option than to sit there and listen. You want to comfort him, but you know you can’t. His helplessness is mirrored in the listener.

On the whole, the lyrics aren’t complicated, but that’s not to say that they were picked out of a grab-bag of meaningless clichés. The language is simple, but that’s not a bad thing—it actually makes it all the more relatable. “I Don’t Love,” one of the last tracks on the album, is a microcosm of everything Deathconsciousness succeeds at. It tells the tale of the singer’s worn out heart. It begins with the lines “I don’t want to live like this, Lord/ I don’t want to live at all/ I don’t want to make this face anymore/ but if I don’t, that’s all,” evoking keen feelings of curiosity and sadness, despite leaving you mostly in the dark about details. The album tends to revolve around this idea of lost love, and the singer’s descent into depression that eventually leaves him feeling inhuman and wanting to die. When the lyrics do get more complicated, they’re absolutely cryptic (ex. “It’s too much, my arms, my legs are wood, / unconscious trees with roots deep in the ground” in “The Big Gloom”), but still give a sense of pathos when put next to the more relatable content. You know something heavy is there, even if you don’t quite understand it, and the album is powerful enough that it left me with a feeling of sadness despite my confusion.

At a glance, this lyrical content sounds nothing short of melodramatic. We’ve all heard, and even experienced stories of love that once was–it’s the basis for innumerable rom-coms–but what sets this apart from your average story is that the aptly named Have A Nice Life masterfully conveys the emotions that one would have during such a painful point in life. Putting depression into notes and lyrics is a colossally difficult task, and Deathconsciousness is the greatest attempt I’ve ever seen.

The story cannot stand on its own, however, and luckily, it doesn’t have to. The musical content in Have A Nice Life’s debut is great as well. As I said before, it covers many different styles of music, from post-punk to ambient to black metal, and there’s not a single point in the album where it stagnates. The vocal effects also add to the experience. The reverb and distortion added to Macuga’s voice perfectly complements the booming, distorted musical accompaniment. The two are completely synergic. They coexist in absolute harmony, and the story wouldn’t have anywhere near the same effect if one of them suddenly disappeared.

This album is available on Dan Barrett’s record label’s website (enemieslist.net) for five dollars, which is an amazing deal for such a lengthy piece of music. Have A Nice Life also has a planned release for 2013 entitled The Unnatural World. While Dan Barrett has come a long way with his depression (he’s married and is on the verge of publishing a self-help book) and this release probably won’t be as emotionally heavy, I am still excited to see what he and Tim Macuga produce. And there will be no complaints if the drums are yet again done completely in Garageband.

Deathconsciousness has become one of my favorite albums of all time, and I don’t feel as though I could do it proper justice with a simple music review. I implore anyone reading this to buy this, take a seat for an hour and a half, and just listen. The emotions it evokes are almost too powerful for words. Sorry, Pixar–Up was upsetting, but I’m afraid this album takes the cake with the heartwrenching experience it presents. You weren’t this sad.

To hear the album in its entirety, click here: http://www.youtube.com/watch?v=9Pp9DC56hh8